In Pietà the Welsh poet and Anglican priest R. S.
Thomas (1913-2000) reflected on the deep togetherness of mother and son, so
famously sculped by Michelangelo. The strong bond between a mother and son is reflected
in the Gospels and the early church reflected on the deep obedience of Mary the
disciple to the mission of God and her Son our Saviour, giving Mary a special
place in worship and prayer.
St. John presents Mary as the model disciple, who teaches
us to “do whatever he tells you” (Jn 2:5). St. Luke reflects that the Holy
Spirit infused both mother and son at the very moment of the child’s
conception.
Thomas’s poem expresses the conviction of the church that
Mary is not just an instrument but that the incarnation of the Son in the womb
of the virgin was the preeminent work of God.
The importance of Mary as mother reminds us who we all are,
beloved children of God and that we are called to act as the beloved children
of God in the world.
Here are the two small stanzas of Thomas’s poem Pieta. The scene is Calvary, but
the time is both before his death at his birth and ourselves in the present.
Pieta
Always
the same hills
Crown
the horizon
Remote
witnesses of the still scene.
And
in the foreground
The
tall Cross,
Sombre,
untenanted,
Aches
for the Body
That
is back in the cradle
Of a
maid’s arms.
R.S.
Thomas
In 431 C.E., the Council of Ephesus proclaimed Mary to be
the Mother of God as Arius, later declared a heretic, had declared that Jesus
had not always been the Son of God so the church responded by rooting his
identity, and therefore that of his mother, in the pure plan of God maintaining
that there was never a moment when he was not the Son of God. So, even in the
womb and at his birth, the Virgin was the God-bearer, the Mother of God.
Belief in the Assumption of the Blessed Virgin Mary arose
very early in the history of the church because of this understanding. The idea
was that as both belong fully to God, nothing separates mother and Son. Her
assumption is an echo of his resurrection.
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